At dinner with a group of
friends, a long narrow table in one of a handful of Italian restaurants in
Riyadh.
“You seem, I don’t know,
down,” says Noelle, from across the table. I slowly lift the apple juice beside
me, pull the cocktail napkin from under it, and replace the glass on the naked surface.
“I’m mostly fine,” I reply,
opening the napkin to its full extent. “It’s just that this city is starting to
get to me, a little.”
“What’s the problem?”
Finding the centre of the napkin
-- the convergence of the folds that remember the paper’s former size -- I fold
one of the corners in to meet this cross, and say: “Nothing specific.” I crease
the fold, being careful to keep the corner of the napkin unerringly centred. “And
I think that’s just it.” I fold another corner to meet the first. “It’s just,
shall we say, emotionally taxing, living in Riyadh.”
“Want to talk about it?”
“Well there’s nothing to
really talk about, beyond abstractions and generalities.” I rotate the napkin
for better access to the last two corners. “I’ve just begun to feel that this
city is a bit of a drain on my, let’s say, good will.”
Noelle nods, says: “I know
what you mean,” and stops,
offering space in the silence for me to continue.
The
four corners of the napkin now meeting in the centre, the delicate paper is half
area it was a few moments ago. I start again, folding the new corners in to the
centre once more. “May I offer an analogy?” I say, tilting my chin up between
folds to make eye contact.
“Of
course.”
“It
feels a little like this: emotional health seems to me like a bucket, being
filled at the top, and draining away at the bottom. For most people, this
bucket is being drained -- just by the nature of life, of having to function in
a world that isn’t a 1950’s sit-com -- drained at a fairly constant rate. Whether
or not one’s life is easy, it is never completely uncomplicated. But at the
same time, it’s being filled up -- by whatever happens, big-or-small, that serves
to validate our unrequested existence.”
“That
makes sense.”
“Good
to hear.” I smile slightly. “Now here’s the issue: even though things happen
that might drain this existential reservoir -- a death in the family, to offer
an unimaginative example -- the fact is that, if we live in an environment which
offers sufficent emotional fulfillment, we have enough in that reservoir to
allow us to recover, and continue on with ourselves.”
I
run my thumbnail gently along the last fold, creating a square only a quarter
the area of the original.
“But
Riyadh is different,” I go on, as I flip the napkin over. “Maybe other places
in this country, like Jeddah or Dammam are as well, but Riyadh has a reputation
that it certainly lives up to.” I fold the first corner of the shrinking napkin
in to the centre once again. “Riyadh doesn’t seem to allow this tank to fill up
as fast as it is draining. Maybe the problem is not that this city is hard to
live in; maybe it’s not a matter of the city draining me, so much as it
is the case that it doesn’t offer enough in return.”
The
four corners folded in once again, the napkin now a fraction of its former size,
I begin sequentially pinching the corners, pushing them towards, but not into,
the centre. “All cities take energy to live in -- physical, yes, but emotional
too. However, everywhere else I’ve ever been to, there is enough happening to
keep that tank filled up: from the typical demeanor of the residents, to the
ease of doing new things, to the catharsis of commuting without feeling that
everyone else on the road has no regard for their own safety, and less for yours.”
The
waiter has appeared in my peripheral vision, and begun clearing the table. “Basically,
my tank, my lifetime reserve of goodwill, has been draining, over the past year-and-a-half,
no faster than it did in New Zealand, or Moscow; but unlike those places,
Riyadh doesn’t offer me enough in return.” The napkin is now folded such that
there are four converging points on the top of its square shape, and eight points,
in two layers, converged on the underside. I slip my thumb gently under a
hidden corner, and lift it, curving the edge, around and above the top of the
napkin. “Basically, this city takes away slightly faster than it gives back,
and I’m beginning to feel the effects.”
“I know what you mean,” says Noelle. “And I’m impressed
you lasted this long. I was feeling like this after only three months, and
Sarah,” she says, gesturing to her right, “is going through the same thing now. It’s like, everything that happens
feels like it’s because we’re in Riyadh. Even if it’s clearly not, it’s like you
hit your thumb, and the first thing you say God I hate this city!”
As
she says this, I finish pulling the bottom flaps of the napkin around. Holding it
out on the palm of my hand, I present a napkin-facsimile of a lotus, a
petaled cup, which I lay on the table in front of us.
“Wow,
that’s cool,” says Noelle.
And,
with narrative precision, the waiter walks past, scoops up the paper lotus and
absently balls his fist around it. We both look up as he drops the crumpled
paper into an empty salad bowl on his tray; we silently return our gaze to the
table in front of us as he continues along the table. “What were we saying
about hating this city?” I say.